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Damion Romero

Damion Romero

Также известно как: Damion, Romero
Группа в интернете: http://www.poweracoustics.org/discography/

Дискография Damion Romero:

# Release title Format Get in iTunes Released on year Label
1 You Misunderstood Me First 3 audio iTunes 2003 Banned Production
2 Feedback In A Lover's Telegraph 2 audio iTunes 2002
3 Wreck (In 2 Parts) 2 audio iTunes 2005 P-Tapes
4 You Can Tell By The Blur (Blue) 3 audio iTunes 2005-11-20 Chondritic Sound
5 You Can Tell By The Blur (Orange) 3 audio iTunes 2005-11-20 Chondritic Sound
6 Patch 3 audio iTunes 2005 Troniks
7 You Can Tell By The Blur (Black) 3 audio iTunes 2006-04-00 Chondritic Sound
8 You Can Tell By The Blur (Yellow) 3 audio iTunes 2006-04-00 Chondritic Sound
9 Untitled 3 audio iTunes 2006 AA Records
10 Idle 3 audio iTunes 2003 P-Tapes
11 Negative 3 audio iTunes 2006-10-00
12 Friday The 13th 4 audio iTunes 2006-12-00 Anarchymoon Recordings
13 No Information Available 3 audio iTunes 2004 Denshi Zatsuon
14 Missing Link 2 audio iTunes 2007-03-26 Hanson Records
15 9 Before 9 3 audio iTunes 2008-04-00 Blossoming Noise
16 Return To Steam 4 audio iTunes 2009 Chondritic Sound
17 Untitled 4 audio iTunes 2009 Presshus Moments
18 23five Live Archive 3 audio iTunes 2001 23five
19 Fade To Useless 2 audio iTunes 2010 Banned Production
20 Reciprocal 3 audio iTunes 2012 P-tapes
21 Lab Terminal Amnesia 3 audio iTunes 2012 P-tapes
22 Live At Dem Passwords 4 audio iTunes 2012 P-tapes
23 It Gets Worse 3 audio iTunes 2013-03-15 Helicopter
24 Nobody Missing 2 audio iTunes 2013-04-00 Tape Room

Damion Romero is a sound artist/sculptor and visual artist from Los Angeles. Romero’s main focus is with “resonant electro-acoustic feedback systems” using audio power amplifiers and a variety of transducers and “feedback regenerators” of his own design. The goal is to saturate the atmosphere with natural acoustic standing waves and pulses, large sounds, that are affected (or held in place) by very small movements in order to magnify an (as of yet) indescribable phenomenon. Public performances have taken place in Los Angeles, San Francisco, Portland, San Diego, Seattle, New York, Tokyo, Osaka, And Matsuyama. His work under the name Speculum Fight has been released on numerous record labels worldwide. In addition to performance and recordings of Damion’s sound work, he has also been actively using similar feedback techniques to produce visual artwork. These are visible patterns on paper (and other flat media) created directly by sound waves. Some of these works have appeared in a handful of solo and group shows in Los Angeles and Seattle, and also reside in the Collection of Eileen and Peter Norton, Santa Monica. Responsible for [l=P-Tapes].

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